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	<title>The Frame &#187; African American Lit</title>
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	<description>from the pen of Jandy Stone</description>
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		<title>Jonah&#8217;s Gourd Vine</title>
		<link>http://frame.the-frame.com/2007/05/05/jonahs-gourd-vine/</link>
		<comments>http://frame.the-frame.com/2007/05/05/jonahs-gourd-vine/#comments</comments>
		<pubDate>Sat, 05 May 2007 19:19:47 +0000</pubDate>
		<dc:creator>Jandy</dc:creator>
				<category><![CDATA[Capsule Reviews]]></category>
		<category><![CDATA[African American Lit]]></category>
		<category><![CDATA[book-1934]]></category>
		<category><![CDATA[book-fiction]]></category>
		<category><![CDATA[book-United States]]></category>
		<category><![CDATA[Jonah's Gourd Vine]]></category>
		<category><![CDATA[Zora Neale Hurston]]></category>

		<guid isPermaLink="false">http://frame.the-frame.com/?p=356</guid>
		<description><![CDATA[The first of four novels Zora Neale Hurston wrote, and my least favorite of the four. Hurston had sort of a strained relationship with her African-American contemporaries. She was a very good and fairly popular writer among whites as well as blacks, but she was also an anthropologist and a proponent of Negro folk culture, [...]]]></description>
			<content:encoded><![CDATA[<p>The first of four novels Zora Neale Hurston wrote, and my least favorite of the four. Hurston had sort of a strained relationship with her African-American contemporaries. She was a very good and fairly popular writer among whites as well as blacks, but she was also an anthropologist and a proponent of Negro folk culture, and her use of dialect caused a large faction of progressive African-Americans to turn against her, believing she perpetuated negative stereotypes. Like, for example, the main character in Jonah’s Gourd Vine, who becomes an important man in his community through his skills at preaching (Hurston saw preaching as a form of art–she didn’t have much use for religion, outside of the use she could make for it for her writing, which was considerable), but is felled by his promiscuity. It feels like the first novel that it is &#8211; not quite ready for prime-time, and the ending feels like she wasn’t quite sure how to end it.<br />
<strong>Average</strong></p>
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		<title>Passing</title>
		<link>http://frame.the-frame.com/2007/05/05/passing/</link>
		<comments>http://frame.the-frame.com/2007/05/05/passing/#comments</comments>
		<pubDate>Sat, 05 May 2007 19:18:14 +0000</pubDate>
		<dc:creator>Jandy</dc:creator>
				<category><![CDATA[Capsule Reviews]]></category>
		<category><![CDATA[African American Lit]]></category>
		<category><![CDATA[book-1929]]></category>
		<category><![CDATA[book-fiction]]></category>
		<category><![CDATA[book-United States]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[Nella Larsen]]></category>
		<category><![CDATA[Passing]]></category>

		<guid isPermaLink="false">http://frame.the-frame.com/?p=355</guid>
		<description><![CDATA[by Nella Larsen
“Passing” refers to a member of one race successfully pretending to be of a different race. Claire is a very light-skinned woman with black ancestry who passes as white to the extent of marrying a white bigot and he never knows the difference. Her childhood friend Irene is too dark to physically pass, [...]]]></description>
			<content:encoded><![CDATA[<p>by Nella Larsen</p>
<p>“Passing” refers to a member of one race successfully pretending to be of a different race. Claire is a very light-skinned woman with black ancestry who passes as white to the extent of marrying a white bigot and he never knows the difference. Her childhood friend Irene is too dark to physically pass, but the title is ironic, because Irene is an upper-class African American–of the class and temperament to imitate whites in terms of societal structures. Meanwhile, Claire tends more and more throughout the book to want to revert to her African American upbringing–so is it really Claire or Irene who is “passing”? The idea of there being a black societal hierarchy that is separate but parallel to white society is also found in Jessie’ Fauset’s <em>There is Confusion</em>; I hadn’t really thought of this existing before, so seeing more of its intricacies was interesting. Plus, both Irene and Claire were intriguing characters. A small, slight book, but insightful and engaging.<br />
<strong>Above Average</strong></p>
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		<title>Quicksand</title>
		<link>http://frame.the-frame.com/2007/05/05/quicksand/</link>
		<comments>http://frame.the-frame.com/2007/05/05/quicksand/#comments</comments>
		<pubDate>Sat, 05 May 2007 19:15:53 +0000</pubDate>
		<dc:creator>Jandy</dc:creator>
				<category><![CDATA[Capsule Reviews]]></category>
		<category><![CDATA[African American Lit]]></category>
		<category><![CDATA[book-1928]]></category>
		<category><![CDATA[book-fiction]]></category>
		<category><![CDATA[book-United States]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[Nella Larsen]]></category>
		<category><![CDATA[Quicksand]]></category>

		<guid isPermaLink="false">http://frame.the-frame.com/?p=354</guid>
		<description><![CDATA[by Nella Larsen
Helga leaves the black school where she teaches because the administration doesn’t put any value on being African American, but tries to emulate white culture as much as possible. Her subsequent travels take her to Chicago, New York, and even Denmark for a while (her mother was Danish), and then back to the [...]]]></description>
			<content:encoded><![CDATA[<p>by Nella Larsen</p>
<p>Helga leaves the black school where she teaches because the administration doesn’t put any value on being African American, but tries to emulate white culture as much as possible. Her subsequent travels take her to Chicago, New York, and even Denmark for a while (her mother was Danish), and then back to the deep south. There are some interesting bits, especially in the differences between being black in America and being black in Europe, but the ending depressed me so much I was looking for the nearest bridge to jump off.<br />
<strong>Below Average</strong>Qu</p>
]]></content:encoded>
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		<title>There is Confusion</title>
		<link>http://frame.the-frame.com/2007/04/12/there-is-confusion/</link>
		<comments>http://frame.the-frame.com/2007/04/12/there-is-confusion/#comments</comments>
		<pubDate>Thu, 12 Apr 2007 19:50:40 +0000</pubDate>
		<dc:creator>Jandy</dc:creator>
				<category><![CDATA[Capsule Reviews]]></category>
		<category><![CDATA[African American Lit]]></category>
		<category><![CDATA[book-1924]]></category>
		<category><![CDATA[book-fiction]]></category>
		<category><![CDATA[book-United States]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[Jessie Fauset]]></category>
		<category><![CDATA[There is Confusion]]></category>

		<guid isPermaLink="false">http://frame.the-frame.com/?p=364</guid>
		<description><![CDATA[by Jessie Fauset
Jessie Fauset was one of the leaders of the Harlem Renaissance, her home being a major meeting-place for the African American writers and artists of the 1920s…sort of like the 19th century Parisian salons. She also wrote a novel or two, including this one. It’s really interesting for its insight into an upper-middle-class [...]]]></description>
			<content:encoded><![CDATA[<p>by Jessie Fauset</p>
<p>Jessie Fauset was one of the leaders of the Harlem Renaissance, her home being a major meeting-place for the African American writers and artists of the 1920s…sort of like the 19th century Parisian salons. She also wrote a novel or two, including this one. It’s really interesting for its insight into an upper-middle-class black family in New York City in the 1920s, a side of the culture you don’t often see. It basically posits a societal order among black families that’s separate from but equivalent to white families. The one thing I really liked about it was that it focused more on interpersonal relations than race relations – race was in there, of course, but Fauset was under no delusions that solving the race problem would solve every problem facing her characters, because the socio-economic and personal conflicts would still be there. That said, <em>There is Confusion</em> is a fairly routine book. It was a fast, fairly enjoyable read, but it wasn’t anything terribly special.<br />
<strong>Average</strong></p>
]]></content:encoded>
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		<item>
		<title>The Autobiography of an Ex-Colored Man</title>
		<link>http://frame.the-frame.com/2007/03/25/the-autobiography-of-an-ex-colored-man/</link>
		<comments>http://frame.the-frame.com/2007/03/25/the-autobiography-of-an-ex-colored-man/#comments</comments>
		<pubDate>Sun, 25 Mar 2007 22:24:24 +0000</pubDate>
		<dc:creator>Jandy</dc:creator>
				<category><![CDATA[Capsule Reviews]]></category>
		<category><![CDATA[African American Lit]]></category>
		<category><![CDATA[book-1912]]></category>
		<category><![CDATA[book-fiction]]></category>
		<category><![CDATA[book-United States]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[James Weldon Johnson]]></category>
		<category><![CDATA[race relations]]></category>
		<category><![CDATA[The Autobiography of an Ex-Colored Man]]></category>

		<guid isPermaLink="false">http://frame.the-frame.com/?p=371</guid>
		<description><![CDATA[by James Weldon Johnson
This is not, despite the title, an autobiography. It is fiction. Interestingly, Johnson originally published it in 1912 anonymously, leading many people to think it was an actual autobiography of a biracial man passing as white. It’s still powerful, though, even when you know it’s not true–in fact, it adds a level [...]]]></description>
			<content:encoded><![CDATA[<p>by James Weldon Johnson</p>
<p>This is not, despite the title, an autobiography. It is fiction. Interestingly, Johnson originally published it in 1912 anonymously, leading many people to think it was an actual autobiography of a biracial man passing as white. It’s still powerful, though, even when you know it’s not true–in fact, it adds a level of irony and self-referentiality that’s really cool. The man is “ex-colored” because he’s light enough to pass for white–in fact, he didn’t know himself that he and his mother were black until he was like, seven. His life takes him from Georgia as a little boy, to Connecticut, Harlem, Europe, the deep south, and eventually back to New York, and allows him to compare the treatment of the race question in all those places and among all classes of people. (Honestly, the range of his experiences should be enough to show the book is fiction…then again, Langston Hughes had similarly far-reaching experiences…) It’s a well-done book, and though it seems really simple, actually has many different layers to it, depending on how you choose to read it.<br />
<strong>Well Above Average</strong></p>
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